LNO apmeklētākās izrādes pērn bijušas Lucia di Lammermoor un Riekstkodis

This DVD is a repackaging of faoums scenes and arias from full-length DVDs of the Italian operas represented. The productions mostly date from the 1980s and 1990s. I suppose they were chosen at least partly because of the names and fame of the singers contained herein. But even with the spoken introductions for each selection by the singers involved and it appears that the introductions were filmed recently few of the excerpts excited me too much. I am willing to concede that dedicated fans of these individual artists might have a different reaction. The excerpts (not yet listed here at Amazon) are:Marilyn Horne: Sorge l'irato nembo' from Vivaldi's Orlando FuriosoAnn Murray: Nacqui all'affanno' from Rossini's La CenerentolaJoan Sutherland: The Mad Scene from Donizetti's Lucia di LammermoorJoan Sutherland: Casta Diva' from Bellini's NormaJoan Sutherland: D'amor sull'ali rosee' from Verdi's Il TrovatoreRoberto Alagna: Quanto e8 bella, quanto e8 cara' Una furtiva lagrima' from Donizetti's L'Elisir d'AmoreAngela Gheorghiu: Prendi, prendi' from L'Elisir d'AmoreGalina Gorchakova: Sono giunta!' from Verdi's La forza del destinoGegam Grigorian: La vita e8 inferno all'infelice' from Forza del destinoNikolai Putilin: Morir! Tremenda cosa Urna fatale!' from ForzaEva Marton: Suicidio!' from Ponchielli's La giocondaAs far as singing goes, praise must go to Horne, Murray, Gorchakova, Gheorghiu and Alagna. The stagings are all traditional and often quite gorgeous, although the productions from the Australian Opera look to have been done on the cheap. Marton sings reasonably well this was recorded before her voice took a turn for the worse but the scene is underlit and so is her acting. Joan Sutherland is her usual mush-mouthed and non-dramatic self. Her voice has never been particularly attractive to me, so you can judge for yourself the accuracy of my comments about her here. I will say that her trills in D'amor sull'ali rosee' are spectacular. The interviews are mostly done in English or in the singer's native language but with subtitles; Gorchakova would have done better to speak in Russian with subtitles rather than in her almost unintelligible English. Grigorian looks so depressed that one wonders if he shouldn't be singing Suicidio' rather than Marton. The Forza del destino excerpts, by the way, are from a production at the Mariinsky of the original 1862 St. Petersburg premiere; Grigorian's La vita e8 inferno all'infelice' in particular differs considerably from the version we are most familiar with. Sound PCM Stereo is the only option is variable as is the videography; they are mostly quite acceptable, however. Subtitles in English, German, French, Spanish, Italian. Menu language, though, is only English. Picture format: 16:9/4:3. Region code: 0 (worldwide). TT=107mins.Scott Morrison